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    Frankie Vaughan at Stockton Globe
    (by Maureen Almond)

    Waist-high kicks learned behind the green door,
    he’ll stroll out, straw boater tilted over his eyes,
    then slow as the sun, his face will rise;
    black hair shining like the wings of a crow.
    Next, there’ll be deep half-laughs, half-gurgles
    blended with a love song and lyric sighs,
    his bobbing Adam’s apple will tease cries
    from as far back as the last row of the circle.
    A god, managing the shrine of night,
    he is our omphalos of the world.
    Dust babbles like a brook in his spotlight,
    the Globe becomes the navel of the earth.
    Pancake masks melt in the moonlight;
    the rest left to him, we adore for all we’re worth.

    (Oyster Baby, Pub. Biscuit, 2002 p.18)

    Frankie Vaughan at Stockton Globe
    (by Maureen Almond)

    Waist-high kicks learned behind the green door,
    he’ll stroll out, straw boater tilted over his eyes,
    then slow as the sun, his face will rise;
    black hair shining like the wings of a crow.
    Next, there’ll be deep half-laughs, half-gurgles
    blended with a love song and lyric sighs,
    his bobbing Adam’s apple will tease cries
    from as far back as the last row of the circle.
    A god, managing the shrine of night,
    he is our omphalos of the world.
    Dust babbles like a brook in his spotlight,
    the Globe becomes the navel of the earth.
    Pancake masks melt in the moonlight;
    the rest left to him, we adore for all we’re worth.

    (Oyster Baby, Pub. Biscuit, 2002 p.18)

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